Mea hoʻolako iVIGA Tap Factory
Kukina a me ka ʻauʻau. Nā Poʻomanaʻo o ka lumi kuke a me ka ʻauʻau.
ʻAʻole hiki ke hana ʻia kahi huahana me ka ʻole o kāna mea hoʻolālā. Eia naʻe, ma ka olelo a kanaka, ka hana, ʻO ka maikaʻi a me ke kumukūʻai o ka huahana ka mea nui, ʻoiai ua poina ka mea hoʻolālā o ka huahana. Akā ʻo ka manawa pinepine i ka manaʻo o kēia mau mea hoʻolālā e hana i kahi huahana i kamaʻilio nui ʻia. ʻO kahi huahana maikaʻi loa ka hui pū ʻana o ke kiʻi a me ka hoʻolālā, ʻike a hoʻoikaika. I kēia lā e nānā mākou i kekahi o nā mea hoʻolālā kaulana loa o ka honua a me kā lākou mea hana.
Zaha Hadid.
ʻO Iraqi-British architect, lanakila o ka Pritzker Architecture Prize ma 2004, ua kapa ʻia kekahi o nā 100 ka poʻe koʻikoʻi loa ma ka honua e TIME magazine in 2010, kūlana mua ma ka “Nā manaʻo” waeʻano. Ua ʻike mau ʻia kāna mau hoʻolālā no ko lākou ʻano wiwo ʻole, a ua kapa ʻia ʻo ia ʻo ka “haku o ka deconstructionism” ma ka hoʻolālā. ʻO kāna mau hana ʻelele me ka hale kiaʻi aniani 170 mika ma Milan, nā skyscrapers ma Montpellier a me nā hale kiaʻi hula ma Dubai, ke Keaka Nui o Guangzhou, ka Galaxy SOHO complex ma Beijing a me ka Daxing International Airport ma Beijing.
Ua hana pū ʻo Zaha me Bravat, he momoku makamae malalo o ka inoa Kelemania dieTSCHE, e hana i ka wai e kahe ana, hana noʻeau, a i ka manawa like hiki loa ke hoolako i ka wai inu maikai.
Ua wehewehe ʻo Zaha Hadid i ka hoʻolālā o ka faucet: “Hoʻoulu ʻia e ka nani o ka neʻe ʻana o ka wai. ʻO ka wai o ka faucet e hōʻike ana i ka haʻalulu a me ka pīhoihoi o kahi wai e paʻa koke. Kahi mea hou aʻe, ʻO ka ikaika koʻikoʻi o ka ʻōlelo hoʻolālā o waho o kēia faucet ʻaʻole ia he hoʻomau wale nō akā he ergonomics kekahi.”
Kearney
Hānau ʻia ma Berlin, ua kahea ia “ka Leonardo da Vinci o ke kenekulia 21”. ʻO kāna mau hana me ka U.S. kaʻa mokulele, ka mua o ka honua monocoque haʻuki kaʻa BMW 700, ka Ferrari Testa d'ro, ke kāmeʻa Canon T90, a me ka Shanghai Chongming Island Eco-Technology City, etc. In 1975, ua hui pū ʻo ia me Villeroy & ʻO Boch, kahi i hoʻomohala ai ʻo ia i ka manaʻo o ka lumi ʻauʻau holoʻokoʻa a hoʻomaʻamaʻa i nā wahi noho holoʻokoʻa.
In 1975, ua hui pū ʻo ia me Villeroy & ʻO Boch, kahi i hoʻokomo ai i ka manaʻo o ka lumi lumi a me ka lumi noho, e kōkua ana i ka hoʻolauna ʻana i kahi au hou i ka mōʻaukala o Villeroy & ʻO Boch. Ua loaʻa ka ʻohana, “90% o ko'u manao mai ke ano maoli, 10% ʻo Clan.”
Giorgio Armani.
Hānau ʻia ma Milan, Ikalia, ʻO Giorgio Armani he mea hoʻolālā lole Italia kaulana a ka mea nāna i hoʻokumu i ka inoa kaulana kaulana o ka honua ʻo Giorgio Armani. Ma ke ʻano he hiki ʻole ke hoʻololi ʻia i ka ʻoihana hoʻolālā hoʻolālā honua, Ua wehewehe ʻo Giorgio Armani i kahi au o ka haute couture, lako hale, hotele, nā hale kūʻai nani, Nā BaRS, nā kīʻaha a me nā māla ʻē aʻe, ʻAʻole ʻo Armani he LOGO maikaʻi wale nō, akā he hoʻonohonoho hoʻolālā aesthetics, he aupuni hoʻohiwahiwa i nā mea a pau.
In 2011, ʻO Giorgio Armani Roca, he hana ikaika o Armani, Roca series bathroom. ʻO ke ʻano o nā hana e hui pū ʻia me ka hoʻolālā kiʻi nani a me ka hōʻoluʻolu naʻauao, ka nani noʻeau a me nā pono hana, hiki ke kapa ʻia he crossover maʻamau ma waena o ke ʻano a me ka lumi ʻauʻau.
Philippe Starck
ʻO ka mea hoʻolālā kaulana Farani i kēia manawa, i hauʻoli i kahi kūlana superstar i ka honua hoʻolālā o nā makahiki 1980, ua hana i nā mea a pau mai nā kaʻa kaʻa a i nā liner nani, mai nā mea o kēlā me kēia lā i nā pae ʻāina a me nā hōkele. Mai nā kaʻa kaʻa a hiki i nā liner nani, mai nā mea o kēlā me kēia lā i nā hale ʻaina a me nā hōkele, ʻO ka hana a Philippe Starck ma kēlā me kēia kahua āna i kau ai, ʻaʻole like ia ma ka ʻoihana. ʻO kāna mau hana me ka Ghost Chair, ka Alien Juicer, ka Mi Mix, ka hale noho pilikino o ka Peresidena Farani Mitterrand ma ka Champs Elysées a me ka moku moku “Venus” na Steve Jobs.
Hoʻoulu ʻia e ka nani o ka “puahiohio” ka wai, ʻo ka hōʻiliʻili ʻo AxorStark V e hoʻohuli i ke kīʻaha metala kuʻuna i makemake i ke aniani aniani akaka, me ka piʻi ʻana o ka wai a iho i lalo e hōʻike i ka nani o ka wai kahe maoli.
Ua ʻōlelo ʻo Philippe Starck i kekahi manawa, “Hōʻole ka hoʻolālā i nā lula a me nā paradigms, ʻo ka mea nui e hele i waho a e ʻimi." ʻO ka hōʻiliʻili ʻo AxorStark V he mea hoʻomaha no ka hana ʻana mai ke kōpaʻa metala kuʻuna a hoʻihoʻi i ka faucet i ka wai ponoʻī., ka hoʻohui maikaʻi ʻana i ka pono a me ka nani o ka faucet.
Jean-Marie Massaud.
Hānau ʻia ma Toulouse, Palani, Ua koho ʻia ʻo Jean-Marie Massaud e Wallpaper e like me kekahi o ka “100 nā mea hoʻolālā koʻikoʻi ma ka honua”. Hoʻoikaika ʻo Jean-Marie Massaud mai nā lua pele, nā ao, nā wailele a me nā hiʻohiʻona kūlohelohe ʻē aʻe i ke kiʻekiʻe, a hōʻike ʻia e ka Estadio Omnilife, ka “lua pele” kahua pāʻani ma Mekiko, ka Toyota Me. Manaʻo mākou kaʻa, ka Truffle recliner a me ka Sky Concept Hotel. Kanaka, etc.
ʻAʻole like me nā huahana i hana nui ʻia me nā mea make-cast koʻikoʻi a poni ʻia, ka moʻo AXOR EdgeAxor Edge, i hana ʻia e Jean-Marie Masson, manaʻo e hana i kahi ʻāpana faucet me ke ʻano o ke kiʻi kiʻi. ʻAno nani, ka AXOR EdgeAxor hōʻiliʻili kiʻi i ka cubic architectural aesthetic o ka mua 20th century avant-garde i loko o kāna mau hana noʻeau..
Patricia Ocilla.
Hānau ʻia ma Sepania, Ua aʻo ʻo ia ma lalo o ka mea hoʻolālā Italia kaulana ʻo Achille Castiglioni, ka mea i kapa ʻia e ka pāpaho o ke Komohana “ka wā e hiki mai ana o ka hoʻolālā Italia”. ʻO nā mea wahine i kāna hana, ka hui ʻana o nā kala like ʻole, hopu mau i ka maalea i hookaheia e na mea liilii o na la a pau.
ʻO ka hōʻiliʻili Sonar, i hana ʻia no Laufen e Patricia Urquiola, alakaʻi i ke ala i ke au o nā kīʻaha ʻaoʻao lahilahi, e hōʻike ana i kahi mea polū-diamond keramika, ʻO kekahi o nā mea nui he sapphire. Hoʻohālikelike ʻia me nā seramika maʻamau, ka ʻO ke kīʻaha ʻaoʻao lahilahi ʻulaʻula ʻulaʻula ʻulaʻula he paia lahilahi wale nō 3-5 mm, he radius lihi o wale 1-2 mm a me ka awelika ikaika flexural oi aku mamua o 120 kp/mm², ua like ia me ke kila.
“Makemake au e hoʻokomo i koʻu ʻuhane i kēlā me kēia papahana,” Wahi a Patricia Ochira. Me ka hōʻiliʻili Sonar, a “ke ao holoʻokoʻa” hānau ʻia nā seramika uliuli-diamond.
ʻO Mario Bellini
Ikalia “waiwai aupuni” mea hoʻolālā, ua puka 'o ia mai ka Polytechnic o Milan ma 1959, ʻoihana hoʻolālā. Ma hope o ka puka ʻana, Ua hana ʻo Bellini ma ke ʻano he mea hoʻolālā a me ka mea hana ʻenehana ma Milan, ka lanakila ʻana i ka makana ʻo Golden Compass, i ʻike ʻia ʻo ka “Nobel Prize in Design”, ewalu manawa. Kahi mea hou aʻe, ʻO Mario Bellini ka mea mua loa o ka honua i hoʻolālā i ke kamepiula lawe lima.
ʻO ke ʻano swan-like faucet, i hoʻolālā ʻia e Mario Bellini no Lufthansa, hoʻopuka hou i ke ʻano o kahi swan me kona ʻano ʻike ʻole a paheʻe, hoʻihoʻi i kona nani kino a hāʻawi i nā kānaka i ka noʻonoʻo nui. Akā, mai nānā ʻoe no ka mea he mea ʻikeʻole loa ia, ke kumukuai o ia mea liilii “swan” e pili ana 80,000 RMB.
Naoto Fukasawa
Hānau ʻia ma Yamanashi Prefecture, Iapana, ʻO ia ka ʻelima o ka luna hoʻokele o ka Hale Hōʻikeʻike ʻo Iapana Folk Art a ua loaʻa iā ia ke poʻo inoa o ka Royal Industrial Designer e ka Royal Society of Arts.. Mai 1996 i 2013, Ua hoʻokumu ʻo Naoto Fukasawa i ka IDEO Tokyo Studio, NAOTO FUKASAWA DESIGN a me Super Normal.
ʻO ka “kaulike” ʻO ka pūʻulu o nā faucets i hoʻokuʻu ʻia e Naoto Fukasawa me ka hui pū ʻana me KVK he ʻano o nā faucets e hoʻohana ana i nā laina o ke kino., a me nā kiʻi oval no ka lima, puuwai, a me ka ua, e hōʻike ana i ka mana o ka hāmau. Hoʻonui mau ʻia ka manaʻo hoʻolālā kiʻi intuitive o ka maʻalahi ma o ka hōʻike figurative o ka hoʻolālā.
Liang Zhitian
Hānau ʻia ma Hong Kong, Leung Chi Tin Design Group Limited, he hale hana hale kaulana a me ka mea hoʻolālā hale, ua helu ʻia ma ka Papa Nui o ka Hong Kong Stock Exchange ma 2018. Leung Chee Tin Design Group Ltd. Ua lanakila ʻo ia ma luna o ka ʻāpana noho no ʻehā mau manawa i ka papa inoa o ka poʻokela o ka honua 100 nā ʻoihana hoʻolālā loko e ka Interior Design Magazine, he nupepa alakai o Amerika. ʻO kāna mau papahana ʻelele ʻo The Hampton, Noho ʻo Yoo a me One Shenzhen Bay ma Hong Kong.
ʻO ka Villeroy & ʻO Boch Crystals Edition | ʻOhi Crystal, he laulima ma waena o Villeroy & ʻO Boch o Kelemānia a me Leung Chee-Tin, ʻO ia ka hōʻiliʻili o nā kristal Swarovski Austrian crystal-clear e hoʻohui i ka hoʻolālā nani, ʻano kūlana kiʻekiʻe a me ke ʻano kūʻokoʻa e hōʻike i kahi hopena hiʻohiʻona nani a me ke ʻano kupaianaha.
Hoʻoulu ʻia e ka pena ʻāina kuʻuna Kina, Hoʻololi akamai ʻo Liang Zhitian “mauna” a “wai” i loko o ka Vileroy & Hoʻopuka BochCrystals | ʻOhi Crystal, ka hoʻohana ʻana i ke ʻano hiʻohiʻona o ke kiʻi ʻāina, ʻO ka refraction o ka mālamalama a me ke aka a me ka hoʻonohonoho hoʻololi ʻana o nā kristal Swarovski Austrian e hōʻike i ka nani o ka hikina..
Gesa Hansen
He puka puka no ke Kulanui o Bauhaus, Ua helu ʻia ʻo ia ma luna o ka WALLPAPER magazine 200 ʻO ka hapa nui o nā Design Influential Designers papa inoa ma 2015. E hoʻomaka ana i loko 2019, ua wehe ʻo ia i nā studio ma Denmark, Palika a me Nu Ioka, a ua lanakila ʻelua mau hana a Gesa Hansen i ka makana Red Dot Design Award a me ka Good Design Award.
ʻO kāna & Ke hoʻomau nei ʻo Villeroy i kāna hōʻiliʻili manaʻo lumi ʻauʻau & ʻO ka noʻonoʻo ʻana o Boch i ke kala a me ke ʻano o ke ʻano o nā ʻōpio, kahi e hoʻohana ai ʻo Gesa Hansen i ke kala ma ke ʻano he ala e hāʻawi ai i nā kāne a me nā wahine i nā ʻano ʻano like ʻole a me nā hiʻohiʻona.
ʻO ka “ʻO kāna” Ua hoʻomalu ʻia ka hakahaka e kahi palette wahine o ka ʻōmaʻomaʻo a me ka ʻulaʻula, oiai ka “ʻO kāna” ʻO kahi ākea kahi kīʻaha holoi koʻa a me kahi halepaku ʻōmaʻomaʻo ʻeleʻele, ka hana ʻana i kahi ʻokoʻa ʻike ma waena o nā mea ʻelua.
